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In the beginning the authoress discusses a question of attributing drawings to Rembrandt and his school in the past. Then the attention is paid to the present tendency of rejecting Rembrandt's authorship in favour of his pupils. Examples of such revaluations in well known European collections have been quoted. The reference is made to the issue of identifying stylistic groups on the example of Carl...
The 'TRANSALPINUM' exhibition, opened at the National Museum in Warsaw on 17 September 2004, was a highly untypical contemporary museum venture. Its general conception and practical realisation inspire reflections on the essence of combining the history of art and art collecting as well as museum studies with research delving into the sociology and psychology of the reception of artistic phenomena...
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